It may not appear very lively six feet underground, but a single teaspoon of soil contains more organisms than there are human beings on the planet. Why didn't this 2000-year-old body decompose?

A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.

Which image is real - the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.

A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.

Which image is real - the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.

In the “White Horse” café, waitress and guests apathetically go through their routines. Meanwhile, the reality surrounding them seems to destabilise more and more: between white noise and the sound of tuning forks, between daydreams of galloping knights and ever-growing mountains of drizzling packet sugar. Ivana Bošniak Volda and Thomas Johnson Volda pile up layers of these images and sounds, until they crack – and clear the way to breathe.

Two perfectly rational gingerbread men, Crispy and Chewy, are out strolling when they’re caught by a fox. Instead of simply eating them, he decides to put their friendship to the test with a cruel dilemma. He’ll ask each gingerbread man whether he’d opt to Spare or Sacrifice the other. What should they choose? Lucas Husted dives into the classic game theory scenario: the Prisoner's Dilemma.

In the “White Horse” café, waitress and guests apathetically go through their routines. Meanwhile, the reality surrounding them seems to destabilise more and more: between white noise and the sound of tuning forks, between daydreams of galloping knights and ever-growing mountains of drizzling packet sugar. Ivana Bošniak Volda and Thomas Johnson Volda pile up layers of these images and sounds, until they crack – and clear the way to breathe.