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A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

Fascinated by the already legendary filmmaker, as a teenager Thomas dreamed of becoming his assistant. He wrote to JLG and asked him if he could "look over his shoulder" while he is at work. JLG never answered. Rejected by the master, the teenager must now find his own way as a filmmaker until that day in 2021 when he senses JLG's end is near. Thomas decides to visit the master. On foot. A pilgrimage to pay his (last) respects.His aim is to meet JLG in person. Thomas Imbach dreams of filming not the master, but WITH the master, for which reason d, he has packed his Aaton camera in his backpack. The closer he gets to Lake Geneva, the more intense his emotions, his anxiety, his uncertainty. SAY GOD BYE is the story of an obsession; it is also a story about the universal theme of love. It is the story of a man who finally summons the courage to seek out his beloved, to tell him face to face about his lifelong love and to say, “Thank you, JLG”.

Petra Kelly, the 1980s 'green queen' and peace activist, is shot in her sleep by her lover and political ally, former West German army general Gert Bastian. He kills himself shortly afterwards. Was it murder, or did she want that shot? What happens to Petra, from the time Gert's bullet enters her skull to the moment it lodges in her brain and she dies? She experiences a flash-forward to the present time and wakes up in the glassy transit zone of an international airport. On her trip through this modern purgatory, Petra struggles to unravel the meaning of the shot together with Gert and other figures from her life. In the explosive moment between life and death, she recognizes the force of her most absolute desires.

The world we have just entered resembles a futurist machine. It is a colossus of concrete and glass, with a heart deep inside, a computer heart pulsating with an endless stream of data, while hundreds of beings in its labyrinthine veins are busy or trying to keep the coursing data under control… MUBI

A poetic but also wryly humorous study of the selfish artist trying to play the indifferent God, but ending up revealing himself as all too human.

The life and death of the Scottish monarch.

The life and death of the Scottish monarch.

We accompany a handful of teenagers on their forays into department stores, listen to techno musik, stand on the sidelines as a big kid picks on someone half his size. But the film has nothing of the usual voyeuristic sensationalism à la reality TV; it is rather a patently constructed, analytical montage of reality that opens out into times and spaces, and provides food for thought. Ghetto is divided into six loosely interwoven chapters. Each of the six chapters has its own coloring, its own pace and actors, its own treatment of the raw material. And each has its own distinctive scenery – interspersed shots of the geographical or architectural environment in which the young protagonists live. –First Hand Films

The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.
