
Acting
Thomas Walter Hampson (born June 28, 1955) is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings. Hampson's operatic repertoire spans a range of more than 80 roles, including the title roles in Mozart's Don Giovanni, Rossini's Guillaume Tell and Il barbiere di Siviglia, Thomas' Hamlet, and Tchaikovsky's Eugene Onegin. The center of his Verdi repertoire remains Posa in Don Carlo, Germont in La traviata, the title roles in Macbeth and Simon Boccanegra, and more recently also Amfortas in Wagner's Parsifal and Scarpia in Puccini's Tosca. As a recitalist Hampson has won worldwide recognition for his thoughtfully researched and creatively constructed programs that explore the rich repertoire of song in a wide range of styles, languages, and periods. He is one of the most important interpreters of German Romantic song – especially known for his interpretations of the music of Gustav Mahler – and, with his "Song of America" project collaboration with the Library of Congress, has become known as the "ambassador" of American song.


A documentary about Nikolaus Lehnhoff's 2004 production of Wagner's last opera, Parsifal, at the Festspielhaus Baden-Baden. Interviews, behind-the-scenes footage and clips of the live performances provide a documentary analysis of the opera on the quest for the holy grail.

Performance of Puccini's opera performed/streamed from Vienna on the 22nd February 2019

In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. John Adams, a major musical figure of the last forty years, made this event of contemporary history the subject of his first opera. Nixon in China tackles the political thaw instigated by ping-pong diplomacy, begun by the invitation of the American table tennis players by their Chinese counterparts, one year before the presidential visit. A mesmerising work in which the pulsations and repetitions typical of minimalism are combined with melodic lines of great lyricism. For its entry into the Paris Opera repertoire, this work has been entrusted to the director Valentina Carrasco, who underlines the importance and the mediating power of Chinese national sport in history.

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

A concert performance of Leonard Bernstein's "On the Town" performed at the Barbican Centre in London in 1993, conducted by Michael Tilson Thomas and hosted by Betty Comden and Adolph Green

Luc Bondy's 1996 production of Don Carlos was staged, recorded and filmed at the Chatelet in Paris. These seven performances were blessed with an all-star cast, loaded with important singers either starting their careers (Roberto Alagna) or at the height of their dramatic powers (Karita Mattila, Jose Van Dam.)

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

The classic musical by Bernstein, Comden and Green is performed live in concert in Berlin, starring Audra McDonald, Thomas Hampson, Brent Barrett and Kim Criswell, and conducted by Simon Rattle.

