
Directing
Theodros is known for initiating the revival of the Ethiopian film industry in the early 2000s through the populist successes of his films, and for being one of the primary figures of the new filmmaking boom in the country. Theodros produces, directs, writes and often acts in his own films, and he has produced films that deal with social issues such as HIV, immigration, and violence against women as well as films with nationalistic content. Theodros produced and directed two of the highest grossing Ethiopian films of all time, Abay vs. Vegas (2011 G.C./2003 E.C.) and Kezkaza Welafegn (2003 G.C./1995 E.C.). He is the owner of Teddy Studios, one of the largest producers of films in Ethiopia, and Sebastopol Entertainment PLC (Sebastopol Cinema), which operates the biggest chain of private cinemas in Addis Ababa and other cities in Ethiopia, giving him significant control in both the production and distribution of films in the country. Sebastopol theater chains are dedicated to showing exclusively Ethiopian films across the country.

A sequel to the most successful Ethiopian film of all-time, Theodros Teshome's Kezkaza Welafen (2003). Starring Teshome himself as Ali, a cop trying to catch a serial rapist-killer, whilst in a long-term relationship with Joanna (Martha Adugna). Like the first movie, Fiker Siferd deals with a kind of horrifying, anxiety-ridding issue facing modern Ethiopians: violence against women.

A love triangle stretching from Bahir Dahr to Las Vegas. Theodros Teshome's film surpassed his own Kezkaza Welafen as Ethiopia's highest grossing film.

A film By Aschenaki Bekele (የአስጨናቂ በቀለ ፊልም)

Set in the Sidist Kilo campus of Addis Ababa University, Kezkaza Welafen directly addresses the social tensions of everyday life for Ethiopian university students with the dangers of HIV/AIDS as its central theme. It follows the story of the female protagonist Selam, a promising university student and advocate for the prevention of HIV/AIDS who secretly believes she too is living with the disease.

Set in the Sidist Kilo campus of Addis Ababa University, Kezkaza Welafen directly addresses the social tensions of everyday life for Ethiopian university students with the dangers of HIV/AIDS as its central theme. It follows the story of the female protagonist Selam, a promising university student and advocate for the prevention of HIV/AIDS who secretly believes she too is living with the disease.

Set in the Sidist Kilo campus of Addis Ababa University, Kezkaza Welafen directly addresses the social tensions of everyday life for Ethiopian university students with the dangers of HIV/AIDS as its central theme. It follows the story of the female protagonist Selam, a promising university student and advocate for the prevention of HIV/AIDS who secretly believes she too is living with the disease.

A sequel to the most successful Ethiopian film of all-time, Theodros Teshome's Kezkaza Welafen (2003). Starring Teshome himself as Ali, a cop trying to catch a serial rapist-killer, whilst in a long-term relationship with Joanna (Martha Adugna). Like the first movie, Fiker Siferd deals with a kind of horrifying, anxiety-ridding issue facing modern Ethiopians: violence against women.

A sequel to the most successful Ethiopian film of all-time, Theodros Teshome's Kezkaza Welafen (2003). Starring Teshome himself as Ali, a cop trying to catch a serial rapist-killer, whilst in a long-term relationship with Joanna (Martha Adugna). Like the first movie, Fiker Siferd deals with a kind of horrifying, anxiety-ridding issue facing modern Ethiopians: violence against women.

A sequel to the most successful Ethiopian film of all-time, Theodros Teshome's Kezkaza Welafen (2003). Starring Teshome himself as Ali, a cop trying to catch a serial rapist-killer, whilst in a long-term relationship with Joanna (Martha Adugna). Like the first movie, Fiker Siferd deals with a kind of horrifying, anxiety-ridding issue facing modern Ethiopians: violence against women.

Set in the Sidist Kilo campus of Addis Ababa University, Kezkaza Welafen directly addresses the social tensions of everyday life for Ethiopian university students with the dangers of HIV/AIDS as its central theme. It follows the story of the female protagonist Selam, a promising university student and advocate for the prevention of HIV/AIDS who secretly believes she too is living with the disease.

A love triangle stretching from Bahir Dahr to Las Vegas. Theodros Teshome's film surpassed his own Kezkaza Welafen as Ethiopia's highest grossing film.

A love triangle stretching from Bahir Dahr to Las Vegas. Theodros Teshome's film surpassed his own Kezkaza Welafen as Ethiopia's highest grossing film.

An indictment of the atrocities and conflict caused by Ethiopia's Dergue Regime.
