Electra, was a teacher a few years ago in the industrial village "X". A decayed village under the shadow of a huge factory, not on its heyday. Lia, until a few years ago a student of Electra, was and remains beautiful. She works in “Heaven”, a local cafe owned by the 50-year-old known as "Cannibal". Lia has no way out. ntertainment and spectacle is nothing more than souped-up cars drifting on the empty lot. Electra knows that Lia deserves another kind of glory, she knows that as her teacher she has to lead her there. Electra returns. And she will take Lia with her to commit the robbery they both need: Lia to escape, Electra to tie Lia with her.

In a working class neighborhood of Athens of the economic crisis, resurgence of fascism and covid19, a racist group of 18-year-old students persecute immigrants, homosexuals, anyone who is just different. A classmate of theirs who does not hide his dislike for their action quickly becomes their target.

Sotiris is a police investigator in Athens who lives by a strict moral code. An honest man, he carries himself as though held down by the weight of the world. Dora is a cleaning lady, struggling to get by any way she can. Dealt a rough hand in life, she has developed a rich layer of cynicism and mistrust that informs her every action. When a man Sotiris believes is innocent is arrested for a brutal crime, his attempt to uncover the truth results in a grave mistake. Finding himself on the other side of the law for the first time, he places his fate in Dora, the only witness to his malfeasance and the only person who can help him, for better or for worse.

Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity bus. Upon hijacking the bus, he takes the seven passengers hostage and demands a ransom of half and million euro, and safe passage to his homeland of Albania. Surrounded by police, the bus trundles towards the Albanian border and the tension mounts until the final harrowing conclusion.

Fanis and Maria are living in the nasty center of Athens. They operate on the world of background actors and escape rooms. They are trying to make a killing in any way. They both sell and are being sold. Toxicity, porn, drugs. A wild and passionate couple in a dead-end love story.

Peter is an eight year old boy who lives in a cheap hotel room. When his mother oddly disappears, a transsexual woman comes to take care of him, against her own will. Sooner or later Peter will find out that this is the woman with the 'plumed snake', the woman that will pull him to outside world, where anything is likely to occur.

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

A deep, unfulfilled love within an erotic triangle. A story of trust and betrayal. A story of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.

Relationship between two siblings. A violent - emotional journey from childhood to adolescent ferocity.

Thodorakis, the film's hero, has a happy go-lucky attitude about life and women, but this all changes when he is forced by his uncle to train as a chef. He soon becomes a top chef and is so impressive that he enters a 'secret society' for chefs, who battle it out to see which one is the best. To his detriment he becomes so obsessive that the women in his life find him obnoxious and nothing seems likely to save him until the news of his patron's death slaps him in the face like a cold fish. In the end, the shock reminds him to keep his life in perspective.