Kristina Wong is an actual elected representative of Koreatown, Los Angeles. But before she created a raucous show about her current stint in Public Office, she was a scrappy performance artist with a bright future in reality television. The system she used to ridicule is now the one she’s become. Is she more effective as a performance artist or a politician? Can she Abolish ICE? Is there actually a difference between performance art and politics?

While battling the absurdity of telephone customer service, Liz is unexpectedly transferred to the Afterlife. There, she discovers it’s just as bureaucratic, frustrating, and illogical as Earth. Now, stuck between death and hold music, Liz must confront her own mortality, figure out what really matters, and find a way to navigate the red tape of the beyond… if she ever wants to return to the land of the living. But through doing so, she soon realizes that much like her current situation, she’s been putting the most important things in life on hold.

After dying hundreds of times, Meg comes to see her world for what it is—a fragile, lower-dimensional construct, built only to be undone.