In the distant future, the human race nears extinction and a new race of beast-like creatures rule the earth. The few surviving people live in the City, a huge protected construction with the ability to travel in both space and time. The City travels back to our time to save humanity...

Vito gets out of jail after serving ten years and tries to find out who killed his younger brother.

A political filmmaker finds himself in Long Island for a weekend where he finds himself entangled with a high-living, jet set crowd. At first it is exciting, but soon he finds himself disillusioned by their shallowness.

An unemployed worker answers a personal ad for a housekeeper to a crusading female lawyer, and then takes her to court to force her to accept him into her home, claiming sex discrimination.

Depressed by the direction his life is taking, Harry decides to take his own life by jumping off the Manhattan Bridge. At the last minute he's stopped by old friend Milt Manville, a successful stock broker. Milt, however, is facing his own problem: he has fallen out of love with his argumentative wife, Ellen. In a misguided effort to solve both of their problems, he introduces Ellen to Harry, hoping the two will fall in love.

An amnesiac wanders the streets of Manhattan, trying to solve the mystery of who he is.

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.