Puppeteer Hernando Alamada returns home, experiencing a bitter transition in the aftermath of the unexpected death of Philippine president Ramon Magsaysay. Communicating only using his puppet, he goes on a journey with a nun, a sex worker and a teenage boy to a remote island where gold has been discovered.

A young man suffering from face blindness and a young woman with a troubled past fall in love.

Two amateur ghost hunters are hired to surveil an alleged haunted house. Nothing much happens. But just because you can’t see the patterns of strangeness, it doesn’t mean they aren’t there.

In 1947, those aspiring to be priest are sent to a remote convent to live in seclusion on the last day of their training. The purpose is to shield them from evil of the world. The plot thickens when a mysterious young girl comes to the convent but the question is whether she is really sent by God or by the Evil.

A drama of the personal saga of a young man struggles with the contradictions within his own social class and the demands of a dysfunctional political family in the Philippine Islands.

It tells the story of Carding and Luisa, a married couple torn between their love for each other and issues of their respective families.

The mother, Carmen, is a woman of three kids who was abused and abandoned by her husband. But she learns how to move on as a grade school teacher who puts up her own business and succeeds as an empowered woman.

A family moves into an old house, unaware of its diabolic, bloody history. The film features two separate stories from different time periods: the Villareal family from the present time, and the Domingo family who lived in the same house back in the 90s.

In the wake of her husband's death, Chedeng, 66, decides to come out of the closet. Her best friend Apple, 63, beheads her live-in partner in a fit of rage. Bound by friendship, the two elderly women, together with the severed head placed inside a Louis Vuitton bag, set off an adventure to find Chedeng's ex-girlfriend.

Filmmaker Mike De Leon released this short on the eve of the 1986 EDSA Revolt anniversary. During its 5 minutes, De Leon draws a harsh critique of the Philippine president, Rodrigo Roa Duterte.