A thrilling story about the liquidation of a Polish terrorist group in Slovakia in the post-war years.

The year 1943. The Second World War is on. A group of partisans, which includes, among others, the young poet Gonczar, his friend Włodek and Zosia, are ordered to blow up a railway bridge during a military transport crossing. The task is completed, but with great losses.

Two boys set out by train from Kraków to the seaside but lose their travel money and decide to continue their journey “for a smile,” hitchhiking and using every transport they can find.

A taxi driver decides to take part in a robbery to earn money for the treatment of his sick wife.

A young doctor is tired of being sought by women. One night he meets a young girl who all but forces herself into his room where they talk of morals and love.

Three vignettes showing a marriage crisis and a subsequent divorce.

A dream-like meditation on post-industrial life in Communist Poland.

A psychological portrait of Ewa, a young Polish theatre actress searching for her own way in life. She plays a minor role in Jasieński's 'The Ball of Mannequins', a complete opposite of her real personality, while aspires to star as Cordelia in Shakespeare's 'King Lear'. Ewa lives on her own, occasionally visiting a famous old actress to talk about theatre, taking care of a poor neighbor, and fights her sophisticated mother rejecting the truth about her beloved father, who died an alcoholic.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.