Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.

In Querétaro at the end of the 17th century, a spanish maiden has given birth to a creature.

Fifty-year-old Maria Garcia is the owner of the Dos Estaciones, a once-majestic tequila factory struggling to stay afloat, and the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco; the rest have folded to foreign corporations. Once one of the wealthiest people in town, Maria knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community's main source of economy and pride.

Patricia and her partner Andrea have an argument over their life together, leaving their relationship in limbo. When Patricia leaves for a work trip, Andrea makes a decision to which might change their lives forever.

Antonio and Jorge compete in the transportation of undocumented Mexican migrants to Texas, the new El Dorado. Their gangs are heavenly armed, and do not fear the police. Gilberto is determined and courageous, and wants to arrest them.

An itinerant mover works from the streets of Mexico City with his partner and lives with his beleaguered mother. A heightened tension within the home – by the absent older brother and unmentioned father. Gabino's casual pursuit of a career is interrupted by a series of intense and almost satirically telenovela-esque domestic vignettes.

When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.

Luz works at a gallery but her real passion and purpose in life is as an opera singer. She’s been invited to audition for Madame Butterfly at one of the principal theatres in Mexico City. Luz must practice. Her friends Lycian and Chío instruct her. How to make her voice and hands dance. She’s told “Your mouth is twice the size of your eye,” and this is all part of a divine geometry that governs the world. The 25th commission from Miu Miu Women’s Tales.

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.