The events of Giuliano Sartori, correspondent from Genoa for a newspaper in the capital, involved in a complicated investigation set in a psychiatric clinic. Not a simple Italian thriller but a "Russian doll", an open story with different levels of reading and interpretation, in which the distance between the madness of authenticity of feelings and the sprawling social normality that leads to 'annulment of the person and loneliness. Collaborators on the subject and the script of the film are Bernardo Bertolucci and Enzo Carra.

A young woman struggles to overcome the dehumanization of poverty.

The lives of three generations of peasant farmers in the Emilia-Romagna region of northern Italy are the focus of this unexciting, flat-footed saga by Florestano Vancini. When the grandfather (Marne Maitland) first decides to leave his job of canal-building and move to northern Italy, he takes up work as a peasant on the land of a local priest, while his oldest son Venancio (Massimo Ghini) starts driving a carriage. More of a visionary than a chauffeur, Venancio first gets involved in organizing the peasants into a kind of farmer's union, and when that movement goes under, he devotes himself to educating the farmers instead. Along the way, his mother dies, he marries Mariena (Anna Teresa Rossini), and they have children. Much to Venancio's sorrow, his own sons do not want to stay in farming, and as they grow older, only one remains at home to till the soil. In the meantime, the specter of fascism is growing stronger by the day and the clouds of war being to darken the horizon.

The life and loves of poet Sibilla Aleramo (Laura Morante), focusing on her relationship with Dino Campana (Stefano Accorsi).

A commissioner on vacation in a small Piedmontese village becomes involved in the murder of a local “seducer".