The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

What begins as an ordinary board in a traditional apartment building to vote the renewal of the elevator, turns into an unexpected debate about the limits of pacific coexistence.

Lola, submerged in the transition from child to adult, within her silence has to assume the sale of the house in the family town that implies the acceptance of the death of her grandfather together with the oblivion of the past.

In a retirement home for former professional musicians, a newcomer convinces some of his mates to embark on an exciting adventure that will change their lives.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

A serpent, created by radioactivity, threatens a Spanish coastal town.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.