Video that records the play "Macías, general essay on power and glory" by Sergio Marras. Monologue in which an actor face the audience to give life to the role of Macías, a dictator of an imaginary country but who suffers from the “misunderstanding” of his detractors and enemies. A text full of profound observations about the despotic use of power. This video participated in the Fifth Franco-Chilean Video Art Meeting, Santiago de Chile, November 1985. U-matic Project

A maid loses all her jobs because her son cries at night, and that bothers her bosses. The play portrays the wandering and desperation of the protagonist to get a job, which ends in her failed attempts due to the "Angelito".

Erre, a teenager that lives with his uncle, his aunt and an almost absent sister, is erased from the roster on his school. From then on, he just wanders in places where the strange is barely hidden under an imitation of the ordinary.

After a long period ofexile, Félix and Magui return to their country. Magui's fathers take them to one of the houses of the family. Félix resistance to adapt himself to the social reality of the country and the presence of "aliens" on the region start to trouble the chief of the family.

A portrait of a Chilean middle-class family in the 1940s and 1970s.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

This is the story of a teenager at the turn of the century in the conservative higher classes of Chile and the initiation rites in his society.

Dramatic comedy that raise questions through satire about the moral tradition of Chilean society, its dogmatism and sexual intolerance and the repressive nature of the country's traditional family.

This stark Chilean melodrama concerns itself with the plight of slum dwellers living outside Santiago. For many years they have, with great difficulty, been faithfully paying small sums to a real estate man. This man has said that by doing so they can obtain title to the miniscule plots of land their houses stand on. In fact, he has been swindling them and does not even own the land he has been "selling." One of the aggrieved slum dwellers confronts him about this while he is visiting the slum, and the real estate agent shoots him before everyone's eyes. The question confronting these witnesses is whether testifying against this monster will make their lives even more precarious.

The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.