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Her name’s Pong, Mrs. Pong. At first glance, she’s a meek, middle-aged woman, pleasantly plump and perfectly harmless. Yet as circumstances demand it, she’s not your ordinary mother, nor a long-suffering widow for that matter. Her missions? To pull her son out of peril while standing up to bullies and saving homes from being uprooted and demolished in the name of urban renewal. Mrs. Pong effortlessly transforms from an armchair survivalist to a fearless heroine hell-bent on her mission, trading punches and kicks for frying pans and woks, awakening a rebellious spirit that wars against exploitation and oppression in a system tilted towards the rich and powerful.

Raymond is a boyish thirty-something content with his wife Nancy and son Kai Zhen who studies K2. Nancy decides to spur up Kai Zhen's "talents" with an onslaught of extracurricular activities. They are tickets to a handful of certificates and awards so that Kai Zhen will not be overshadowed by other kids and may receive placement in more elite schools. Disapproving of the move, Raymond hopes his son could enjoy his childhood. Nancy insists and asks Raymond to find Kai Zhen a referee for school enrolment. In the meanwhile, Raymond was sacked and had to leave his job of twenty years. A painful journey begins with his job hunt and eventual sale of his own favourite toys and pleasures. For the sake of his son, he swallows his pride and begs his old boss to be his son’s referee.

In Taipei’s dreamscape, Tao’s incomprehensible love for Shin drives her to create painful memories. Meanwhile, Melih, burdened with self-blame, longs to connect with the perpetually drunk Ping.

In the insurance exam hall, Wing is afraid of being categorized as social failures. She trains hard to be professional. However Wing is pressured by the examiner Chan and it’s been tough. With Wing’s pure heart, the system slowly malfunctions… When life gives you lemon, you make lemon tea and you swallow it. But is this our only way out?

A young couple enjoys playing hide-and-seek in the city. Every time See would give Pong a little clue to catch her in the crowd by 3 am. Perhaps this is just a rehearsal for bidding farewell – to create some good memories before losing each other. After losing her, he would still look around to search for those familiar scenes and discover some new sceneries he has overlooked.

'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.

From the vast expanse of land and sky comes a wild child with a camel into the city. They encounter a policeman who is fascinated by this mysterious child seemingly isolated from human contact and culture. The policeman tries to establish communication through language without success. As he learns more about the child, the latter inspires him to let go and find his long-lost freedom. Conventional interactions between people mask our true instincts and qualities that only emanate when we return to the basics.

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

What if love fades? When have we drifted apart? To ease his partner’s fear of her fading fertility, Sen dedicates himself to preparing his body for parenthood. But after the doctor confirms his sperm motility is healthy, Sen recoils from the intimacy he once embraced. As her ovulation window begins to close, the fragile harmony of their marriage starts to unravel beneath the surface.

Kwan believes that she is unique. Enclosed in solitude within her own literary world and deprived of affections from her family, she longs for love in whatever form it takes - no matter how distorted. She considers the detention class with Mr Cheung a shelter from the world, until it is shattered together with all her hopes. She finally comes to the realisation that it is the world that goes against her. There is no hiding place for her no matter how hard she struggles……

Angela has no doubt that "one of these days, father will come back from the outer space to take her away because he is an alien." This thought was instilled by Angela's mother who committed suicide due to severe mental illness. Ever under the watchful eyes of her grandmother and psychiatrist, Angela starts to hear voices from the sky. Weary and scared, the grandmother has no choice but to send Angela for hospitalization. Angela's belief and longing for reunion with her parents grow stronger than ever. Eventually, she takes a leap of faith in finding her own destiny.

The duties of an art museum security guard include: 1. Execute the rules strictly. 2. Check the facility and make sure everything is in working order. 3. Ensure the art works are not tempered with. 4. Fill in incident reports and file them properly. Facing the four walls of a gallery, pompous art works and visitors who break the rules, an old security guard falls into a hypnotic trance at times. He writes “Everything in order” on every page of the incident report routinely like his colleague. One night, a sobbing policewoman comes to search for her missing Malinois. Is the world still in order?