Directing
Teguh Karya (born Steve Liem Tjoan Hok, 22 September 1937 – 11 December 2001) was an Indonesian film director. Starting his entertainment career in theatre, he made his directorial debut with Wadjah Seorang Laki-Laki, released three years later. He later directed numerous critically acclaimed films, including Cinta Pertama, Badai Pasti Berlalu, and November 1828. In 2001 Karya died from complications from a 1998 stroke.

Since birth Ponirah has lived a cursed life. Her mother died while birthing her and her brother Permadi is hit by a truck while riding a bicycle with her. This leads her father, Jabarudi, to go temporarily insane and nearly stab her with a kris. Their maid, Trindil, brings Ponirah with her and escapes the city, settling in Yogyakarta. Trindil becomes a prostitute to support herself and Ponirah; the two live at the brothel.

Arman’s father denies his request for a toy gun, but his mother allows it. With that toy gun, Arman forms a squad called “Berani Mati” or “Ready to Die” with his friends, Hamdan and others. The security in the neighborhood is threatened by the mischief of Bang Hamid, and Arman and his squad, successfully prevent a burglary by him. The residents are proud to have such brave boys in the neighborhood.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

Director Teguh Karya intended to make a “real” comedy amidst the many slapstick comedies at the time, and in fact calls this film a bitter comedy. In the film, Ms. Sumirah, a widow who used to be a favourite pretty girl in Padalarang, worries about her daughter Anna, who is shy and self-conscious. She keeps pushing Anna’s brother, Willy, to invite home a co-worker from the clothing factory he works in. Then a change occurs after Anna meets Jaka, an English teacher living near her house. When their relationship starts to bloom, it is found out that Jaka is the son of Saodah, a woman who once had an affair with Sumirah’s husband, Van Nijs. Sumirah changes her mind and opposes their relationship. Finally Anna and Jaka elope.

Director Teguh Karya intended to make a “real” comedy amidst the many slapstick comedies at the time, and in fact calls this film a bitter comedy. In the film, Ms. Sumirah, a widow who used to be a favourite pretty girl in Padalarang, worries about her daughter Anna, who is shy and self-conscious. She keeps pushing Anna’s brother, Willy, to invite home a co-worker from the clothing factory he works in. Then a change occurs after Anna meets Jaka, an English teacher living near her house. When their relationship starts to bloom, it is found out that Jaka is the son of Saodah, a woman who once had an affair with Sumirah’s husband, Van Nijs. Sumirah changes her mind and opposes their relationship. Finally Anna and Jaka elope.
Adapted from the play "The Glass Menagerie" by Tennessee Williams.
Adapted from the play "The Glass Menagerie" by Tennessee Williams.
Adapted from the play "The Glass Menagerie" by Tennessee Williams.

Togar, a student from North Sumatra is expected by his parents to graduate. Because his talent is in journalism, Togar fails and becomes a labourer in a cement factory. With the assistance of Buyung, Togar begins writing for a newspaper and then quits his job in the cement factory.

Set in 19th century Batavia, within the community of Portuguese descendents, Amallo has issues withhis father, Umbu Kapitan, because his irresponsible behaviour has led to his mother’s death.

A Javanese mother has to struggle to lead their children against a complex confusion of their age. Unfortunately, the mother realized that actually, her children are trying to lead her too.