Mari and Nika decide to stay together and sneak off to a seaside town, intending to stay with Nika’s uncle, who is out fishing. Unable to rent a room due to not being married, Nika gets into a fight at a cafe, where Chiora helps him. They continue their journey with Chiora, who shows interest in Mari. Chiora, a risk-taker, tries to blame a driver for an accident to earn money but accidentally crashes and dies in the hospital. Mari grows bored and, returning to Tbilisi by train with Nika, leaves him in the carriage. In Tbilisi, she meets Mari again, but Mari no longer wants to talk to her.

The work-relate conflict between father and son disrupts the order of previously peaceful family.

A clown leaves the circus where he performed for many years. Accompanied by his nephew and white puddle Arto, he starts performing street shows to earn for living.

This touching comedy follows a poor soldier who is mistaken for Jesus Christ in a poor village. The film tells the story of a quick-witted and resourceful soldier who uses this misidentification to outsmart rich merchants, the mayor, and finally Father Ambrose, the local priest, who is known for being a glutton and womaniser.

A new principal is appointed at a boarding school. He will have to solve many problems before he can earn the children's trust.

A sad story about a day in the life of an old captain, now retired. The sadness of this story is softened by a noble dose of humor. It is built on the discrepancy between a quiet life with its small, retirement joys, worries, and the inertia of the old captain's still vivid imagination. Each collision of dream and reality evokes both a slight pain and a smile of understanding. With the help of subtle, unobtrusive details, the director has managed to create the impression of a life that is passing away, sailing away, saying goodbye.

The film deals with the complex relationship between the children of a boarding school for fatherless children and their caregivers.