Four strangers live-stream a staged “perfect” share-house romance until a sexual-assault scandal exposes manipulation, trauma, and the collapse of their performed identities.

Chisato and Mahiro must pay four years of overdue fees or lose their membership in their assassin guild. They take part-time jobs, but find themselves in the middle of an armed robbery and being hunted by other assassins.

Taki joins the UFO Research Laboratory (URL) trying to find his wife and children kidnapped by the aliens.

From a young age, Natsuki knew she was a girl despite her sex assigned at birth. Against the backdrop of conservative Japanese society, this poignant docudrama tells her remarkable story of gender transition. Reflecting on her high school years, Natsuki interviews the supportive friends and family who supported her choices – and also confronts the people those who oppressed her freedom. Tracing Natsumi’s story to the present, this compelling portrait of gender identity in contemporary Japan offers insights of a layered experience in a complex society.

Somewhere on a distant planet, X and Geed were defeated by a pair of black Ultramen who bore their likenesses in appearance. At the same time, an old enemy of Taro named Ultra Dark-Killer targeted both Zero and Grigio, forcing Taro to recruit the New Generation Heroes to stop the League of Darkness. This is the complete, director's cut version of the original web series with no breaks!

Ultraman Zero, the rookie Ultraman from Tsuburaya Productions’ 2009 theatrical movie returns, and getting full-fledged. However, he is confronted with the empowered Kaiser Belial, back from the evil Ultraman Belial whom he and other Ultraman warriors battled so hard on the m-78 Planet. Can Ultraman Zero live to the expectations of his legendary father Ultra Seven? Check it out in the latest Tsuburaya Productions’ action packed movie.

Recording of the play Daichi (Social Distancing Version) performed on July 11, 2020, at the PARCO Theater in Tokyo's Shibuya City.

In the silent mountains, surrounded by beautiful mountains on all sides. A man carrying an urn, Iori Kano, appears in front of Mizuki Takahashi, a beautiful woman staring at the fire of a kiln in a humble workshop. Iori is Mizuki's brother-in-law. He has come to inform Mizuki of the death of her mother, Isuzu Kano. For some reason, Mizuki had abandoned her parents' home and was now living a peaceful life with her husband, ceramic artist Tetsuro Takahashi. Iori's appearance cuts through that peace and brings her back to the dark past. Mizuki has been living her life with her past hidden away, but her guilt for Yasuo, her father-in-row, who she had driven to his death, and her love and hate for Isuzu, who she had never reconciled with, lingered deep in her heart. This sense of guilt over her own deeds eventually condemns Mizuki in the form of the ghost of Isuzu, and finally leads her down the path of destruction.

Married couple Aiko Tsumari and Ayumu Muko live a happy and peaceful life. Aiko is bit naive, while Ayumu works as a not so popular novelist. One day, a letter arrives for Ayumu. Because of this letter, the couple become estranged...

When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.