Directing
Márcia Lellis de Souza Amaral, known as Tata Amaral (São Paulo, September 19, 1960), is a Brazilian filmmaker.
Passages showcases Brazilian films in which the utilisation of artforms and media such as literature, painting, theatre, music, photography, radio and television, functions as a 'passage' to political and social reality.
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
An old man is tired of celebrating his birthday.
Determined to escape their poverty-stricken lives, four talented young women living on the outskirts of Sao Paulo, Brazil, form an all-female rap group but find their road to success is riddled with sexism, racism, and violence. One by one, they succumb to their grim realities...until they discover that out of struggle comes strength, and out of strength, the courage to continue on.
The daily routine of a streetwise office boy, waiting in long lines, having to deal with some fishy situations, listening to music, and meeting people.
Former political activist receives compensation from the Brazilian government for the disappearance of her husband, victim of the repression triggered by the Brazilian military dictatorship. With the money, she can buy her an apartment and free herself from this dreadful condition she lived for decades. At the moment of moving to the new home, however, a visit arises that forces her to review her entire life.
A woman ready to move away from Brazil is kidnapped by her jealous ex-lover.
Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.
Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.
Sunday. Classic game on the brazilian championship. Rossi’s family organize themselves in front of TV. Eunice, his mother, looks trough the window while Borges, his dad, and Cauã, his older brother, watch the football match. Rossi tries to find his place in the house.