In one of his finest dramatic performances yet, Louis Koo stars as a veteran ambulanceman who simply wants to do his job without any interference from his boss. While he considers emigrating with his daughter, he clashes with his new partner, a young go-getter on the fast-track up the bureaucratic ladder. A mature directorial effort by Cheuk Wan-chi, this dramedy about Hong Kong’s civil service culture and the latest emigration wave is a charming, yet sobering love letter to her city and its people, especially those who still remain.

Mohammad is a young asylum seeker from Pakistan. To make a living, he works illegally as a night delivery worker. He strives for a better life in a city with no identity and future in store for him. Despite his limited income, Mohammad helps out the single mother and her young son from Africa. He spends his days with his compatriots looking for jobs and waiting for their application results, hoping indefinitely for a miracle. Marginalized and ostracized, they survive in cracks and crevices of the city, trembling with rage and despair, waiting for dawn to come.