
Sound
Tanel Kadalipp (born July 28, 1985) is an Estonian sound engineer-designer and composer.

An incorporeal Shadow takes up a dangerous adventure through a mystical forest, fancy castle and dream world to save her frivolous owner from a cursed Beast.

Eugen is released from prison at 28 years old, he has no one except his father Helmar who abandoned him when he was born, and friends Stina and Riko from the orphanage. Eugen attempts to begin a new life and contacts his father, but he finds himself returning to an endless cycle of violence.

After 27-year-old Karmen's father dies, the security structures of her previous life start falling apart, as her relationship with her half-brother Viktor also deteriorates, and she faces the darkness and emptiness of the universe.

Filmmaker Peep Puks has directed 61 documentaries and created almost 40 programmes for television. In this film, he looks back on a lost time, the films that have accompanied him, and the colleagues without whom this all wouldn’t have happened. It’s also the story of the first post-war generation of Estonia and the birth of the Estonian documentary.

1930s aspiring writer moves to the city and works as a maid for a printing house owner. Their whirlwind romance leads to marriage, but their relationship darkens against the backdrop of growing social unrest.

Indian film director Tushar Prakash has moved to Estonia and starts taking guidance from local farmers how to become a real Estonian man.

An outrageous road movie about The Old Man and his grandkids in a 24 hour race against time to stop a milky madman hell bent on killing his prized cow to save the world.

Karina and Martin are in a pleasent relation where everyday life flows in an effortlessly accustomed way and no small misbehaviours can shake it’s rush. Life is good. Perhaps it’s this perfection and frequent patterns that make them finally pose a question – is everything to be expected in life? This is a story about following the yearning of your soul. Longing for something other than the present and having the courage to be deliberately lost.

A gang of five children spend their summer in an abandoned factory complex. When they are forbidden to go there by the factory owner for safety reasons, the children decide to ignore the ban. This decision changes their lives forever and the friends face a grim confrontation.

Women share their innermost secrets and intimate experiences inside an Estonian smoke sauna. Cleansing their bodies and baring their souls, they embrace the healing power of sisterhood.

A Finnish equivalent of Werner Herzog’s Grizzly Man, Hannu has a love and connection to nature that surpasses most. It is the rare lynx in particular that has bitten into Hannu’s heart – so much so that he actually claims to be able to speak its language. So when a dead lynx turns up in his forest, he dons an animal mask, crawls down on all fours and sniffs out the mystery through the mire and thicket. With hauntingly beautiful footage captured by hidden cameras throughout the forest, ‘Lynx Man’ paints a colourful and vivid twilight picture of the natural world around us – and of man’s impact on it. For no matter what Hannu does to live in harmony with the animals, he cannot hide from belonging himself to the species that is the lynx’s worst enemy. It makes sense that most of Juha Suonpää’s atmospheric film takes place in the twilight between dream and reality. Here, the vast forests come alive in Hannu’s hypnotic Night Vision footage of the nocturnal life of the lynx.

A Finnish equivalent of Werner Herzog’s Grizzly Man, Hannu has a love and connection to nature that surpasses most. It is the rare lynx in particular that has bitten into Hannu’s heart – so much so that he actually claims to be able to speak its language. So when a dead lynx turns up in his forest, he dons an animal mask, crawls down on all fours and sniffs out the mystery through the mire and thicket. With hauntingly beautiful footage captured by hidden cameras throughout the forest, ‘Lynx Man’ paints a colourful and vivid twilight picture of the natural world around us – and of man’s impact on it. For no matter what Hannu does to live in harmony with the animals, he cannot hide from belonging himself to the species that is the lynx’s worst enemy. It makes sense that most of Juha Suonpää’s atmospheric film takes place in the twilight between dream and reality. Here, the vast forests come alive in Hannu’s hypnotic Night Vision footage of the nocturnal life of the lynx.


