Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Raul, a playboy, marries Sheila and hire Nina, a photographer, to take erotic snapshots of his wife. Nina acquires an interest on Sheila, and through a maid, investigates the couple's intimate life.

In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

A beautiful young woman living in an isolated fishing community on an island falls in love with an outsider, a train machinist. But her father, a violent religious fanatic interferes.

Jongo, a renowned photographer, and Candinho, a young and inexperienced journalist, arrive at a decaying country club of São Paulo's high society, run by women involved with the law.

Two contrasting social groups get in touch: three architects and three street urchins, all struggling for survival.

Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

This Brazilian film is set during the period of its initial colonial discovery and settlement. The title refers to a word the native peoples used for the coastal lands: "pindorama," or "place of the small trees." A ponderous and grandiose film, it was roundly booed when it was aired at the 1971 Cannes Film Festival.

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.