In a desert, a man and a woman walk side by side, but everything changes when the time comes.

The Woman at the End of the World, inspired by the album "A Mulher do Fim do Mundo (2015)" by singer Elza Soares, tells the story of Benedita and the girl Lua, two black women who saw the old world succumb and are now the only ones survivors. In this post-apocalyptic scenario, the short film portrays a journey through the search for breaking the silence, thinking about the innumerable processes of silence passed by the characters in the old world. In this sense, the end of the world is also a character, being the personification of a state of mind that permeates the loneliness of the black woman. The short film reveres female power, rescues memories, discusses affection and thinks about paths to be followed.

Silvia needs to get rid of a rat that has invaded the kitchen where she works while dealing with the growing abuses of her boss Suzana.

Women writers intertwine their work in the form of an anthology in this feature film. The scripts are adapted from tales written by Brazilian women at the end of the 20th Century to create four shorts filmed by directors of groups under-represented in the cinematographic industry of Brazil of 2024. Themes such as death, healing, the body, marriage and desire are tantamount in stories in which women revisit their past in search of liberty.

Catarina, a young and insatiably curious journalist, becomes involved in a contest to discover the most red thing in the world, which strains her relationship with Gabriel. Her growing obsession with finding the answer brings up deep and conflicting emotions about their unstable relationship.