Immadi Pulikeshi is based on the story of the famous Kannada ruler Pulakeshin II of the Chalukya dynasty, who was significantly involved in branching out the dynasty to extend over most parts of the Deccan.

Nanda Deepa is a 1963 Indian Kannada-language romantic drama film, directed by M. R. Vittal, making his first venture in film direction.[1] The film was produced and written by actor Vadiraj and co-produced by Jawahar for Sri Bharathi Chitra studio house in its debut production. The film stars Rajkumar and Harini, along with Leelavathi and Udaykumar playing other pivotal roles. The film, upon release garnered wide appreciation and recognition and won the prestigious National Film Award for Best Feature Film in Kannada at the 10th National Film Award. The movie was remade in Gujarati in 1964 as Ramat Ramade Ram - making this the first Kannada movie to be remade in that language. The movie starred Tarla Mehta and Mahesh Kumar in the lead role with popular actor Sanjeev Kumar reprising the role of Udaykumar. While the Kannada version won the National Award, the Gujarati version won eight State awards

A hunter tries to prove his extreme devotion to Lord Shiva by removing both of his eyes.

Veera Kesari is a 1963 Indian Kannada-language swashbuckler film directed by B. Vittalacharya and produced by Sundarlal Nahatha and Doondi. The film stars Rajkumar, T. N. Balakrishna, Udaykumar and R. Nagendra Rao. The film has musical score by Ghantasala. S. Siddalingaiah was the assistant director of this movie. B. Vittalacharya shot the movie simultaneously in Telugu as Bandipotu, with N. T. Rama Rao.

Sodari is a 1955 Indian Kannada-language film directed by T. V. Singh Thakur. The film stars Pandari Bai, Narasimha Raju and Rajkumar. The music for the film was composed by Padmanabha Shasthri. The story of the film is based on the life of Hemavati, the pious wife of King Kailasanatha. She faces numerous hardships along with her children when Kailasanatha loses his kingdom due to a drought. The actress Jayashree plays a negative role of Chanchaladevi, a cunning relative of Hemavati. The movie is based on GV Iyer's stage play Anna Thangi which was based on the popular legend of Nalla Thangaal whose story had earlier been adapted in Malayalam in 1950 as Nalla Thanka and later in Tamil as Nalla Thangal (1955).

This movie is based on the great poet Raghavanka's 'Harishchandra Kavya'. Satya Harishchandra is an epic based on the mythological King Raja Harishchandra who was renowned for upholding truth under any circumstance. So much is his resolve that Harishchandra and his family are sold into bondage and separated.

Hari Bhakta is a 1956 Kannada-language film directed by T. V. Singh Thakur. The film stars Rajkumar and Pandari Bai. It had Mynavathi, Narasimharaju, G. V. Iyer, H. R. Shastry playing supporting roles.[1] The movie is based on the life of Pundarika

Bala Nagamma is a 1966 Indian Kannada-language film, directed by P. R. Kaundinya and produced by Vikram Srinivas. The film stars Rajkumar, Udaykumar, Narasimharaju and Master Babu. The film has musical score by S. Rajeshwara Rao. The movie is based on one of the popular stories of the traditional folklore Burra katha.

Goadalli CID 999 is a 1968 Indian Kannada-language spy thriller film written, directed and produced by Dorai–Bhagavan duo. The film starred Rajkumar in the lead role as a detective. Popular Indian actress Lakshmi made her debut in Kannada cinema with this film. Sri Lankan based actress Sabeetha Perera also made her Indian movie debut with this film. The film had musical score by G. K. Venkatesh with lyrics by R. N. Jayagopal.The film met with highly positive response upon release and paved the way for many more such Bond style of movies in the combination of the director duo with lead actor Rajkumar.

‘Sandhya Raga’, based on a popular Kannada novel, is about a young man Lakshmana, who dedicates his life to music. He belongs to a sophisticated family and his father is a much-respected cultured man of the village. While his brother chooses a secure job for the power and comforts it offers, Lakshmana is not after fame and money. He wants to master the art of music. The film captures the trials and tribulations Lakshmana undergoes before he succeeds in winning the hearts of music connoisseurs.