Dragonslayer documents the transgressions of a lost skate punk falling in love in the stagnant suburbs of Fullerton, California in the aftermath of America's economic collapse. Taking the viewer through a golden SoCal haze of broken homes, abandoned swimming pools and stray glimpses of unusual beauty, Dragonslayer captures the life and times of Josh 'Skreech' Sandoval, a local skate legend and new father, as his endless summer finally collides with the future. Set to the alternately roaring and dreamy soundtrack of bands from the indie labels Mexican Summer and Kemado Records including Best Coast, Bipolar Bear, Children, Dungen, Eddy Current and the Suppression Ring, Golden Triangle, Jacuzzi Boys, Little Girls, Real Estate, The Soft Pack, Saviours, as well as DEATH and Thee Oh Sees. Dragonslayer is a punk-rock manifesto to youth, love and learning to survive after the decline of western civilization.

One year after Hurricane Katrina, troubles arise for a surgeon who, despite remarrying his ex-wife and starting his life anew, becomes reacquainted with an former girlfriend.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

Five Years North is the coming-of-age story of Luis, an undocumented Guatemalan boy who just arrived alone in New York City. He struggles to work, study, and evade Judy - the Cuban-American ICE officer patrolling his neighborhood.

Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.

Throughout human history, people have had giddy dreams and fantastic notions about what the future would bring. Today the future has become more of a threat than a promise-a knot of intractable problems looming menacingly on the horizon. With a powerful sense of poetry, Utopia in Four Movements uses the collective experience of cinema to explore the battered state of the utopian impulse at the dawn of the twenty-first century.

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.

The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.

In 1969, bankrupt pizzeria owner Richard Davis invented the modern-day bulletproof vest. To prove that it worked, he shot himself — point-blank — 192 times.

Ramin Bahrani explores a precarious community ill-equipped to handle catastrophe, and in so doing captures the human cost of inequality, a moral failure in the richest nation in the world.