A Hungarian historical movie that tells the story of the Hungarian ancestors, the seven leaders, who are looking for their new homeland in the last years of the 9th century. Before they leave their original home in Asia, they have a farewell party. They wake up with a severe hangover after consuming large quantities of kumis. The seven leaders wake up to find that their people have disappeared.

Tamás is a young, Budapest-based director of video clips and commercials who dreams of directing his...

László Dömötör, the divorced registrar, cannot get rid of his ex-wife any more than he can get rid of marriages. He is desperate to find new love, with little success. After Dömötör gets drunk as a tension reliever at work and turns one of his weddings upside down, his boss fires him. On his way out, he catches a glimpse of Norbert Lázár, an up-and-coming, semi-secret producer who runs nightclubs. Unconfirmed reports say he died in Africa. The man looks exactly like him. All of this spurs him to a crazy idea. A modernised adaptation of the 1942 comedy.

Péter Sóvári is a successful actor and notorious womanizer. Director Lajos Borsai, equally fond of the playboy lifestyle but in dire financial straits, aims to secure his fortune by wooing Mexican soap-opera tycoon Dulcinea de la Rosa as both wife and backer for his script. Their paths collide when both men fall in love with rising star Ibolya.

The three brothers, Akos, Tamas and Andras - known from the first part - try to get back their 60 million forints stolen by impostor Alex who ran away with the money and the girlfriend of the oldest brother.

Vampires have come out of the shadows and are living as normal citizens. Two policemen, one a vampire, are assigned to track down a serial killer who tears the throat of his victims and drains their blood.

A story about a theater company's prop girl, who knows all the lines of all the plays by heart, but has no chance to show her talent, until an unexpected event occurs.

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.

Religious fanaticism, schizophrenia, supernatural powers and repressed sexual desire combine into a deadly family drama.

At the height of the Spanish Inquisition, high-ranking noblemen begin dropping like flies, with alarming frequency and unexplained violence. But can local 16th-century sheriff Ruy de Mendoza discern who's responsible when no one wants to cooperate? After all, before Mendoza can even identify the bodies, the crime scenes are mysteriously cleared - and the villagers pretend the murders never happened.