
Acting
Sylvie Testud was born on January 17, 1971 in Lyon. Her parents separated when she was two years old. She spent her youth in the Lyon district of Croix-Rousse, raised by her mother, an accountant. In high school, she learned Chinese. Very early fascinated by the cinema, the young girl identifies in particular with the complexed teenager character embodied by Charlotte Gainsbourg in L'Effrontée. Having moved to Paris to study history, she soon embarked on acting by joining the free class at Cours Florent and then the Conservatory, where her teachers were Jacques Lassalle and Catherine Hiegel. She made her first screen appearance in 1994 in Couples et amants. She decided to become an actress during her youth, after having admired actresses in films. She then took acting lessons in Lyon with the actor and director Christian Taponard. In 1989, she moved to Paris to study history, as well as drama lessons in free classes at Cours Florent, then at the National Conservatory of Dramatic Art for three years, with Jacques Lassalle and Catherine Hiegel for teachers. In the early 1990s, she obtained her first small roles in the cinema, then in feature films such as The Story of the Boy Who Wanted to Be Kissed by Philippe Harel (1994), Le Plus Bel Age..., by Didier Haudepin (1995) or even Love, etc. by Marion Vernoux (1996). In 1997, Sylvie Testud experienced her first great success at the cinema in Germany with the film Beyond Silence by Caroline Link, for which she learned German, the clarinet and sign language. She is rewarded as best actress by the German Film Prize (the equivalent of the César for best actress). In 1998, she played her first major role in French cinema and enjoyed great success in France with the role of Béa in Karnaval, the first feature film by Thomas Vincent, for which she was nominated for the César for best female hope and received the Michael Simon Prize. She then began an important acting career with a preference for auteur cinema. In 2000, her performance in La Captive by Chantal Akerman (adaptation of the novel La Prisonnière by Marcel Proust) earned her a nomination as best actress at the European Film Prize. In 2001, she obtained, for her second nomination, the César for best female hope for the remarkable interpretation of Christine Papin, one of the Papin sisters, in Les Blessures assassines by Jean-Pierre Denis, based on a news item from 1933.

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.


A female lawyer travels back in time and crosses paths with other women in history who fought for women's rights.

Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.

Psychologist Dr. Brennac is asked by a colleague to help with the case of Claude, a patient on trial for multiple murders. Is Claude really guilty of the crimes, or is he a victim of his own mind?


Pierre, a French professor of quantum physics, inherits an inn from his aunt Jeanne in the Lac St-Jean region. He arrives with his daughter and settles in the small village of Sainte-Simone-du-Nord, home to just 400 residents. The locals, however, greet these “strangers” with suspicion—especially the village mayor, who once had a falling-out with Jeanne, the Frenchwoman. He manages to rally the townspeople to make life difficult for these newcomers from across the Atlantic. Yet Pierre’s good humor is unshakable, and he refuses to be discouraged—even without electricity, heat, water, or a car.

When the fun loving Marie sets her eyes on brooding comic book artist Paul, it sets off the kind of romantic sparks that quickly culminate in the bedroom. But the next morning brings its share of surprises as Marie crawls out of bed to discover her life flash-forwarded fifteen years down the road: Not only has she been married to Paul all this time, but she’s now the mother of a little boy the head of a powerful multinational investment firm and the proprietor of a fabulous apartment overlooking the Eiffel Tower. Quickly Marie discovers that all her achievements have not brought happiness.

Juliette discovers that her teenage son, whom she thought was flourishing, is in reality undermined by a deep malaise and that he has become dangerously dependent on drugs. Determined to get him out of his deadly addiction, and driven by her unconditional love, she embarks on a long and painful fight, alongside her child, without ever giving up on saving him.

When the fun loving Marie sets her eyes on brooding comic book artist Paul, it sets off the kind of romantic sparks that quickly culminate in the bedroom. But the next morning brings its share of surprises as Marie crawls out of bed to discover her life flash-forwarded fifteen years down the road: Not only has she been married to Paul all this time, but she’s now the mother of a little boy the head of a powerful multinational investment firm and the proprietor of a fabulous apartment overlooking the Eiffel Tower. Quickly Marie discovers that all her achievements have not brought happiness.

Lyon, France in 1970s, Sibylle, Corinne, and Georgette are sisters who share everything, as they live with their Italian mother. Sibylle is the only blonde in the family, except for their father who abandoned them, and she feels isolated. She dreams of meeting her French father one day.

The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore.

Sybille, an accomplished actress, is given the chance to direct a film based on her own screenplay. Everything seems to go well at first. Her producers, two sisters, are two wacky but lovable characters, and Sybille dives into the adventure with them, putting aside her family life. But, from the unlikely choice of actresses, the successive rewrites of the script and the financial issues, the wonderful dream turns into a nightmare. Ever the optimist, Sybille will realise too late that her whimsical and totally crazy producers are going to drag her in their madness ... One thing is certain, nothing will happen as planned.

Sybille, an accomplished actress, is given the chance to direct a film based on her own screenplay. Everything seems to go well at first. Her producers, two sisters, are two wacky but lovable characters, and Sybille dives into the adventure with them, putting aside her family life. But, from the unlikely choice of actresses, the successive rewrites of the script and the financial issues, the wonderful dream turns into a nightmare. Ever the optimist, Sybille will realise too late that her whimsical and totally crazy producers are going to drag her in their madness ... One thing is certain, nothing will happen as planned.

