As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.

The famous Swedish Karoliner army has suffered its biggest defeat ever at Poltava in 1709. The Swedish king Karl XII is waiting in the small village of Bender for the Turkish sulton to help him defeat his arch enemy, the czar of Russia, Peter the Great. But the Turks think he's an expensive guest and want him out of Turkey. However, he refuses. The sultan then decides to send Karl XII a princess to marry him, to get him out of the country (a bride for a bribe). The two Swedish soldiers Lagercrona and Kruus are to escort the princess. They experience many different adventures on their way to Bender, namely because other Swedish soldiers and agents try to stop them from ever reaching the village, because they don't want Karl XII to leave Turkey. After their long adventure to get there and a few misunderstandings, the famous "kalabalik" of Bender, where the Turks decide to drive Karl XII out of Turkey by force, begins.

Norway in the 10th century. Askur, son of the powerful Thorgeir marries Embla, daughter of one of the few remaining landowners in Norway, in a pagan ceremony. King Olav, a ruthless christian, wants to eredicate all traces of non-christian beliefs and captures the two of them during the ceremony. In order to free Embla, Askur must go to Iceland and convert the people there to catholicism.

Scripted by Ingmar Bergman, this very personal film is about a destructive affair which wrecks the marriage of an actress (Marianne) and musician (Markus). Wanting to continue the affair, Marianne moves in with her lover. But she is tormented by Markus' decision not to let her have custody of their daughter. Finally Markus announces he may have a solution to the stalemate, but this leads to deception, lies and ultimately, tragedy.

The West German security police, Verfassungsschutz, need help to infiltrate a group connected to the Rote Arme Fraktion. The Swedish James Bond, Carl Hamilton, goes to Hamburg, pretending to be a Swedish officer, thrown out of the country after having been exposed as an East German spy. He gets in contact with the terrorists and joins them. Together they are planning to strike against the CIA headquarters in Stockholm.

Stig-Helmer takes another vacation with his norwegian friend Ole. This time it's time for a skiing vacation in the Alps. Of course, Stig-Helmer has never learnt downhill skiing, but he attends a ski school. And together they manage to charm two women also on vacation.

Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.

Set in the offices of the Swedish film industry, this television drama stages a fictional encounter between Georg af Klercker, a marginalized silent-film director, and Charles Magnusson, the producer who once controlled his fate. Through their conversation, memories of early Scandinavian cinema and unresolved professional grievances resurface as af Klercker seeks the possibility of returning to filmmaking.

Set in 1920, The Image Makers depicts a private screening at Svensk Filmindustri, where silent-era director Victor Sjöström presents scenes from his adaptation of Selma Lagerlöf’s The Phantom Carriage. As the Nobel Prize–winning author watches alongside cinematographer Julius Jaenzon and young actress Tora Teje, tensions emerge between generations, genders, and artistic roles, exposing the emotional costs behind creation.