In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

One hundred and twenty years of film history in a warehouse in Paris. In the reserves of the French Cinematheque, where thousands of cameras and projectors are sleeping on the shelves. Thousands of stationary machinery, we dream of getting back to work as a great machine back in time. To tell their story, the material history of cinema.

One hundred and twenty years of film history in a warehouse in Paris. In the reserves of the French Cinematheque, where thousands of cameras and projectors are sleeping on the shelves. Thousands of stationary machinery, we dream of getting back to work as a great machine back in time. To tell their story, the material history of cinema.

The history of the Ariane rocket is a space epic that has seen Europeans unite and innovate to make a place for themselves in the space race. Faced with Soviet and then American supremacy, men and women from the four corners of Europe have achieved the impossible. Ariane has become a true monument, thanks to the passion of those who dreamed of it and to their tenacity in the face of the various obstacles that stood in their way. This undeniable European success is now at a turning point in its history. The new Ariane 6 program is currently being developed to meet the challenges of tomorrow: will it be able to meet the challenges of a more competitive environment than ever before?

This is the unlikely story of 21 ministers and prime ministers who have crossed or are crossing the french Fifth Republic today. Twenty-one politicians who, from one day to the next, find themselves at the head of a ministry by the grace of a President of the Republic and his Prime Minister. The formation of the government, conflicts of attribution, reshuffles, rumours of appointments, evictions, casting errors: it is all the capricious backstage of the games of power examined here under the angle of confidence and which sheds light on the prestigious but unknown function of minister. An original and instructive political saga on the reality of those who hold or have held this prestigious position.

“I talk about my 20 years of work with the filmmaker Robert Kramer, who died in 1999. It is an account of the gestures and practices of this filmmaker. A way of recalling the central place he attributed to experience to better circumvent the pitfalls of the scenario. It is also the story of a friendship that transformed me. » (Richard Copans)

February in the French Alps. Vanina likes to hear the chalet’s parquet floor squeaking beneath her bare feet. Vanina likes to coat herself in sunscreen cream in front of the fireplace. Vanina likes the tawny fur of her rabbit. But above all, what Vanina likes is her American babysitter, Mary Jane…

Everyday digital devices are no longer just tools; they have become gateways to a new multi-layered reality, an exponentially growing augmented universe that we experience largely without a physical connection. As human beings made of flesh, we now spend most of our time in a digital landscape, seeking happiness, wealth, relationships, knowledge, and experiences. What is today’s reality made of?