She is the blonde poison of the backyards, the femme fatale of the Wedding side street. Coolness hangs heavy on her eyelids. It could be mistaken for boredom - if it weren't for her tough tone of voice and her willingness to ice-coldly clear her opponents out of the way. One of her license-free joyrides results in an accident. A court orders her to do community service in a shared flat for the disabled, which she finds an imposition. But the "normalos" she lives with aren't that great either, and it seems as if Kroko finds something in the "spastics" that she lacks in her everyday life.

She is the blonde poison of the backyards, the femme fatale of the Wedding side street. Coolness hangs heavy on her eyelids. It could be mistaken for boredom - if it weren't for her tough tone of voice and her willingness to ice-coldly clear her opponents out of the way. One of her license-free joyrides results in an accident. A court orders her to do community service in a shared flat for the disabled, which she finds an imposition. But the "normalos" she lives with aren't that great either, and it seems as if Kroko finds something in the "spastics" that she lacks in her everyday life.

After her release from prison Alex, who has lost her faith in love, tries to reclaim her psychic balance through a retreat into loneliness. A man and a child interrupt her plan and force her to reengage. Alex dares to emerge from her shell and learns again how thin the ice is and how fragile happiness is, small though it may be.

After her release from prison Alex, who has lost her faith in love, tries to reclaim her psychic balance through a retreat into loneliness. A man and a child interrupt her plan and force her to reengage. Alex dares to emerge from her shell and learns again how thin the ice is and how fragile happiness is, small though it may be.

Thirteen German directors present short films exploring the state of their country.

Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.

Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.

A tragic comedy about an 18-year old girl growing up near the new Berlin airport's construction site.

Peter (39) has slipped into the role of the houseman over the years, because his wife Elisabeth (42) is traveling a lot for work and he takes care of the children Robby (15) and Laura (8). Peter learns that Elisabeth wants to go to Africa with her family. Due to the death of his mother Hedi, the soul situation Peters gets more and more out of balance. When he also learns that Elisabeth has already given her boss half a promise to go to Africa for two years, Peter feels ignored and ignored. It begins a blessing of blame, in which he gets into an emotional dead end.

Twelve-year-old Diana encounters a strange find in the forest in the early morning. A young woman lies motionless in the moss, her legs scratched. But she wakes up. Diana doesn't ask, she takes care of her. The 23-year-old Pia is still foggy. She doesn't know anything about last night, so she instinctively goes into the hands of her childish rescuer, grateful that she does not have to explain to her counterpart. The two give each other the greatest gift, time and attention and fill up the mental empty spaces.