A village woman and her young son face various hardships because of the untimely death of her husband.

Three young men have to face the realities of adult life as they move on from youthful frolicking to battle issues of unemployment, restlessness and the allure of the city. Two of them, Jaye and Gune, unlike their other friend who finds both a job and a wife, have only each other for company, In search of quick and easy money, they fall into hands of a scheming network of underworld figures.They become hustlers and decide to outwit their contact.

Suwisal has turned 40. He's a forgetful businessman, a philanderer, indifferent to life around him, including his young and lovely fiancée. A visit to the house of his childhood triggers memories that continue to cascade when he is called for jury duty to hear the case against Piyum, a servant he seduced and abandoned 20 years before. Now a prostitute, she is on trial for murder.

When an alluring young undergrad becomes infatuated with her nearly retired professor, she stirs up the man's humdrum home life in a most unusual way.

A married man (Nissanka) and woman (Miranda) find their lives disrupted after their affair is exposed by the police. Leaving their respective families, the two decide to live together. Shortly afterwards, Miranda secretly goes back to see her former husband. As paranoia mounts, Nissanka disintegrates psychologically to point where reality and fantasy are blurred.

This film indicated the formation of a cinematic language consisting of hyper-realistic images. The film won the award for Most Promising Director at the Critics' awards in 1994. It was also awarded Best Film, Best Director, and Best Screenplay at the 1998 OCIC awards.

Dharmesena Pathiraja's only Tamil language film, Ponmani (Younger Sister) is about a starkly different socio-economic culture and political climate. Set in the northern city of Jaffna, it traces the fortunes and concerns of an economically depleted upper caste, lower middle class family. An evocative film about land, women, romance and tragedy, narrated in an idiom of understatement.

Set in the dry zone of Sri Lanka, Suddi is married to a notorious criminal in the village, Romiel. Convicted for a murder Romiel is jailed. Miserable Suddhi has to depend on Sirimewan Mudalalie, a shrewd businessman from town.

A semi-autobiographical account of a move from Sri Lanka to Britain, which explores "being inbetween East/West, mother/father, male/female". The filmmaker was born in Sri Lanka and brought up in the traditions of European culture and Roman Catholicism. He moved to England to live and work, and the film, which combines drama and documentary, is a personal account of his "negotiation of his personal history".

A woman plots her revenge after being duped by a slick, ruthless man who impregnates her and tries to bail her out of marriage.