Fedot the Shooter is sent by the Czar to find some special food for the foreign ambassador's visit. During the hunt Fedot meets his love Marusya - the magical bird-woman. Evil Czar and his no-less-evil sidekick General with the help of the local witch Yaga try to eliminate Fedot by giving him more and more complex quests and to take Marusya to Tsar's palace. Marusya helps Fedot to solve the quests successfully.

About the incompleteness and insufficiency of the simplest senses: touch, sight, hearing. In cinema, this view traditionally denotes a collision between the authentic and the illusory. Truths and imaginary things are given in the film as images of feelings. “I love to forget time with you,” the heroine says to her blind lover and adds, "You are the most sighted of all the sighted."

At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...

Vocational school student, who took upon himself the guilt of another for a large sum of money, finds himself in a very difficult situation. None of his “friends” even tries to come to his aid. He only finds one way out for himself, - a death...

This story unites the destinies of the landowners and their servants, and is considered to be one of the most complete portraits of the Russian life in the late XIX century. It takes place in Dry Valley, a village owned by the noble family of Khrushevs. The story tells about Natalia, a young and naive girl who serves in their country house. We see and experience her love, dedication to her masters, mysticism, exile, betrayal and faith, while the Dry Valley is falling to pieces, slowly but inevitably, as well as the lives of its inhabitants.

A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.

Shattering the story of a talented former boxer. He lost his memory. He does not remember what happened yesterday. He can not sleep. Each morning starts with a clean sheet for him. The powers that be decided to use it in my game. As a bargaining chip. He will understand. And revenge. In one day, he needs to catch it.

Patients of an insane asylum, the last refuge of genuine feelings and, it seems, hopes that come true..

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.