An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.

In this affecting, provocative docudrama from Sean Devlin, a Filipino family reenacts their own experiences of resolutely rebuilding their homes and lives in the wake of the devastation wrought by 2013’s Hurricane Yolanda. Not helping matters are two ineffectual foreign aid workers (Kayla Lorette and Aaron Read) who aren’t quite the white saviours they fancy themselves to be.

Max is an artist seduced by the allure of fame. Sara is an art critic whose obsessions exceed even his. When she lands a writing gig at a major art magazine, the pair retreats to a cabin in the woods, where Max reveals his strange new painting method. Convinced of its potential, she agrees to collaborate on a piece sure to revolutionize the art world. While both original and mesmerizing, the project reveals something dark and disturbing about their relationship. Like two digital-age Frankensteins, they manage to make a painting come alive - though the unsettling consequences of their success may be more fit for the pages of a blood-soaked tabloid than the chronicles of art history.

Yan, a junior private investigator, goes undercover to attend a dating workshop for trans women.