Sternberg lands with his parachute in the bed of a stewardess, in the car of an airport employee and finally on a freeway service area. There he meets Harry. Harry is blind and he joins Sternberg who is looking for his Hedi. Together they land in the flat of the model married couple, Alf and Evy. With his appearance he upsets the day-to-day life of the couple.

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

In Krawutzi Kaputzi, characters from Austrian children's television in the 1970s and 1980s make a comeback. Johannes Glück has written a play that shows the lives of the characters in Meidling (a district of Vienna) two decades after their great television careers.

It is autumn. An area of villas in the outkirts of the city. A dilapidated villa in an overgrown garden. The three Schwarz sisters live there. They make life miserable for themselves by constantly harassing each other. They can't live together but they can't get away from each other. Their father has been dead for a long time, but his spirit is omnipresent. One day a letter arrives and the uneventful lives of the sisters are thrown into confusion.

In the year 1970 several Austrian newspapers reported of Viennese people beating a homeless person to death because they thought he had stolen 50 Schilling. This story was the foundation for the play JESUS VON OTTAKRING which Pellert brought to the big screen in his directorial debut. A parable about intolerance in society.

Hanna loves Yann and the letters he sends her, short, poetic films recorded with an iPhone. Yann loves Hanna, but mistrusts her. He leaves her, but does not leave her alone.

A holocaust survivor now living as a respected writer in Manhattan is the only person who can identify a suspected Nazi back in his native Austria. When a beautiful reporter eager for a scoop tries to lure him back, Geburtig must decide whether to confront his past.