The story is about a girl who grows up almost like an orphan in a joint family of two brothers and their families. She has lost her mother (a sister of the brothers) in childhood and her father is a habitual gambler with a bad luck. She develops romance with one of the two cousins in the house.

Following the death of his father, Dosyu Bonhur has taken the responsibility of the chief of their gang, and continues his father's fight against the oppressor, Zamindar.

Behula is a 1966 Bengali film directed by Zahir Raihan and stars Razzak and Shuchanda as lead pair. It was based on the Hindu mythology of Behula, who fights vehemently to goddess Manasa for her husband Lakhindar's life.

The emergence of the educated middle-class. Shawkat’s life as a bohemian artist perfectly illustrates the life of an artist in Dhaka during the 60s. When Shawkat’s father loses his job, and eventually dies, the reality of living in a capitalist society as an artist dawns on him

The first film shot and developed in FDC (Film Development Corporation), Asiya was directed by Fateh Lohani. Focusing on the life of a village belle, the asset of the film was its music, composed by legendary folk artiste Abbasuddin Ahmed (Samar Das and Abdul Ahad also composed numbers for the movie after Abbasuddin's demise during the making of the film). Featuring Sumita Devi, Qazi Khaleque and Shaheed, the film received the prestigious President Award of Pakistan in 1961.

Matir Pahar is a 1959 Bengali film. The film was directed by Mohiuddin Ahmad. This was the third film made in East Pakistan.

After the partition of India in 1947, Shashikanta's family, like millions of other Hindu families of East Pakistan (now Bangladesh), faced the dilemma of whether to migrate from the land in which they have been living for centuries. But Shashikanta Sengupta, an eccentric lawyer, stubbornly refuses to leave his motherland. Widower Shashikanta has two children, Minoti and Bidyut. Anuprava Devi is an affectionate old aunt who lives with the family. The family has a house in Narail, a small provincial town on the bank of the Chitra river. Some Muslim neighbors eye Shashaikanta's house. But the family refuse to migrate. Shashikanta's children Minoti and Bidyut are friends with the neighboring Muslim children- Badal, Salma and Nazma. Minoti and Badal become more than friends. The children grow up.

A jobless imaginative artist finds his fantasies when a sculpture he creates comes to life every night.

A girl from the slums happens to be the princess of a vast property.