Acting
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Framed for a crime he didn't commit, Mohan Kumar loses his wife, son and freedom, then he emerges from prison, vowing revenge.
In order to manipulate the wealth and estate of his brother, Kunver Pratap Singh, and his mother is killed by Thakur Vikram Singh leaving behind Kunver's daughter, Lavina and her governess Anita as witness. The duo does manages to escape only to find life threatened by Vikram goons where-by their rescuer, Lambu Dada turns out to be Vikram's hit-man secretly wanting to turn them over to him for a hefty sum.
Ishwar and Shanti are childhood friends who come from different social backgrounds. They live, study and travel together and fall in love with each other as adults. When Ishwar's sister-in-law chooses a bride for him, he refuses and announces that he wants to marry Shanti.
Shyam and Soni live with their mother in a village. They are very poor. The children give away the only bread piece to a hungry saint, who in turn gives them a magical conch. The children somehow discover that the conch reveals something foul concerning the listener. While patrolling, the disguised king reaches the kids and the children give the conch to him, requesting to pass it to the king, saying that this is magical. The king, using the conch, finds that his cousin wants to poison him. The king reaches his palace and confirms the plot against him and punishes the culprits. The king sends jewelery, garments, sweets, fruits etc for the kids and punishes the moneylender, and comes to take them along. The message "Good deeds do not go unrewarded".
This film is based on five shot stories of Rabindranath Tagore's Jibito O Mrito, Sarat Chandra Chattopadhyay's Abhagir Swarga, Gour Kishore Ghosh's Aei Daha, Prafulla Roy's Satgharia and Dibyendu Palit's Kaanch.
A cabaret dancer who was raised in a brothel sets out to find her biological mother.
Arvind, a rich businessman's son, dates the office secretary but is engaged to marry someone else. With a complicated family background, he struggles to find meaning in his life.
When the Raja of Jhansi dies, the British place harsh conditions before letting the Raja's son, Gangadhar, take over the throne. Jhansi's Rajguru plans ahead by getting a young girl, Manu, from a neighbouring kingdom to marry Gangadhar, despite their age difference. Manu is anointed the Rani of Jhansi and her name is changed to Laxmibai (Kashish). She soon gets pregnant but the newborn child dies a few months later. Bereft, Gangadhar's health begins to fail. With no hope of a natural heir to the kingdom, Gangadhar and Laxmibai adopt a young boy, Diwakar. When Gangadhar dies, Laxmibai attempts to have Diwakar anointed the Raja. However, the British object and soon declare war on Jhansi. How Laxmibai joins forces with Tatya Tope and fights the British to death iforms the rest of the film.
The film follows the life of a successful film star, revealing her increasing alienation in a role both glamorized and patronized by society. After being forced into show business by her family, she spends her time between studios and disastrous love affairs, and feels more and more dissatisfied.