In a fantastical and humorous perspective, Zinho and his Kombi van work transporting the unalive to "there" on their own afterlife journeys to settle their accounts.

Luisa is beginning to forget, sometimes getting lost in the maze of her memories. At the bus station, she writes texts in an attempt to safeguard her memories, especially those involving the great love of her youth.

A visual essay on ethnicity, gender and misogyny.