Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

The way that people are used as bait is explored through three stories about three different characters.

A village mechanic dreams of flying. After discovering the crash site of a World War II Japanese plane, Bachchu Mondal decides to rebuild it. His project doesn’t go unnoticed by the ghosts that haunt the place, all victims of broken dreams. The authorities begin investigating Bachchu as a life threatening series of bizarre events conspire.