In Taiwan pornography is still a socially unacceptable taboo. Firmly and ironically, Su Hui-yu indulges in a visually powerful long shot enhanced by unexpected pop art colours. A classic hardcore esthetic is represented in a gallery of a tableaux vivants that demand their freedom, alternating movement and immobility, the denial of pleasure and the pursuit of it.

In Taiwan pornography is still a socially unacceptable taboo. Firmly and ironically, Su Hui-yu indulges in a visually powerful long shot enhanced by unexpected pop art colours. A classic hardcore esthetic is represented in a gallery of a tableaux vivants that demand their freedom, alternating movement and immobility, the denial of pleasure and the pursuit of it.

In Taiwan pornography is still a socially unacceptable taboo. Firmly and ironically, Su Hui-yu indulges in a visually powerful long shot enhanced by unexpected pop art colours. A classic hardcore esthetic is represented in a gallery of a tableaux vivants that demand their freedom, alternating movement and immobility, the denial of pleasure and the pursuit of it.

In Taiwan pornography is still a socially unacceptable taboo. Firmly and ironically, Su Hui-yu indulges in a visually powerful long shot enhanced by unexpected pop art colours. A classic hardcore esthetic is represented in a gallery of a tableaux vivants that demand their freedom, alternating movement and immobility, the denial of pleasure and the pursuit of it.

A, the last human on the planet. X, the god, demon, or the future in A's nightmares. In 1972, a futurologist book precisely predicted the human destiny manifested in East Asia. In an unknown era, the last human found a mysterious message from an electronic device and embarks on a quest for a future from the past. In ten chapters, the audience explores this dream-like prophecy.

A, the last human on the planet. X, the god, demon, or the future in A's nightmares. In 1972, a futurologist book precisely predicted the human destiny manifested in East Asia. In an unknown era, the last human found a mysterious message from an electronic device and embarks on a quest for a future from the past. In ten chapters, the audience explores this dream-like prophecy.

In Taiwan pornography is still a socially unacceptable taboo. Firmly and ironically, Su Hui-yu indulges in a visually powerful long shot enhanced by unexpected pop art colours. A classic hardcore esthetic is represented in a gallery of a tableaux vivants that demand their freedom, alternating movement and immobility, the denial of pleasure and the pursuit of it.

In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.

Originally designed as a multi-channel video installation, the film The Walker ingeniously deconstructed the background stories and the plays of the legendary Taiwan Walker Theatre which pretty much represents some underground culture scenes of 1990's Taipei. Based on a multi-character narrative structure, the film re-interprets the velocity, prime-time, rebellion, physical pleasure and ethical minefield referred to in these plays. With its Dream-like images, The Walker reminds us of the utopia pictured previously by the Taiwan Walker Theatre, indicating a polysemous, hybridized art world whose components range from the sublime to the ridiculous.

In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.