During a production of "Hamlet", the withdrawn lead actor and the girl playing Ophelia, who has just escaped a life of drugs and prostitution, spark an unlikely and low-key romance.

A film about one fourteen year old girl whose happy life ends when the family's economic status changes at the family firm crashes and her mother who gets in prison because of creative accounting. The girl loses most of her friends, but regains zest for life when she along with a single friend forms a rock band that achieves great success at a school dance

What are the consequences of a young person to be famous at an early age, being a public person? "Født til Filmen" is about the Danish actress Stine Bierlich's (1967 - 2007) life and career. Through interviews with herself, with her family - Ann Bierlich (mother), Asger Leth (brother), Jørgen Leth (stepfather), friends and people from the film industry it tells us about Stine's life from being a child actress to becoming a celebrated young star of the 80's. The film is a comment on today's worshipping of stars, and how fame has almost become a drug in itself. It’s as if here’s every answer to any doubt. But as Stine's story shows, reality can actually be the opposite.

Anders Refn's film adaptation of Gustav Wied's novel stars Jens Okking and Helle Hertz in the leading roles as Baron Helmuth and his wife Alvilda. The baron is deeply enamored with his wife, but she is repelled by his blunt and coarse nature and is drawn to her cousin, who fulfills her desire for passionate romance.

A socially realistic drama about the relationship between a mother and her teenage daughter in a windswept port town in Jutland. The mother is from Copenhagen and was once a beauty queen. Now she is married to a fisherman, works at the fish filleting factory, and is having an affair with the factory's unsympathetic owner. She has come to terms with her life, but her daughter cannot accept a future cutting up fish. When she wins a local beauty contest, she sees a chance to escape, but things turn out differently.

To what extent does a director stay objective and anonymously hidden behind the camera? The Danish director Jon Bang Carlsen knows for sure that the choices he makes in his films aren’t accidental. Several excerpts from his own work show that events in his personal life have a major influence on his work. In fact, he appears to be using images that he recognizes in particular. It’s a revelation for this filmmaker, who used to think he could stay objective and invisible. Topics such as doubting his faith, his runaway father and impressions from a carefree childhood are recurring themes in his diverse oeuvre. Showing us individual scenes, Carlsen comments in voice-over on the images and muses about his life and work.

Camilla and Louise are digging in the desert sand of Israel. They are looking for relics of the past, but while doing so, self-deception and life-lies appear. This mars their conception of life and shakes their relationship.