A hitman tries to seduce the mother of a child who witnessed his most recent kill.

Reality and illusion collide as megalomaniacal filmmaker Chris Neville murders a young would-be actress, then sets about making a feature about the deed, casting the deceased's clueless husband as the patsy, and finding a dead ringer to play the late actress.

They called themselves the United Society of Believers in Christ's Second Appearing, but because of their ecstatic dancing, the world called them Shakers. Ken Burns creates a moving portrait of this particularly American movement, and in the process, offers us a new and unusually moving way to understand the Shakers.