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Documentary about Italian screenwriting legends Agenore 'Age' Incrocci and Furio Scarpelli.
Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.
Interview with film director Riccardo Freda.
The documentary aims to tell the story of a director who managed to capture the attention of the whole world and, due to his political and aesthetic coherence, was able to work much less than he deserved. It's the story of a film professor who earned the gratitude and affection of all his students. The tale of a cinephile who successfully combined social and civic commitment with a spectacular talent worthy of Hollywood.
Maciste, the first, the one who appeared in Pastrone's film, Cabiria (1916), leaves the screen, evoked by the critic and film historian Steve Della Casa. He wants to know who he is and what he did. Della Casa will help him find his other self, that Bartolomeo Pagano, a camallo (unloader) from the port of Genoa who saw his life transformed by the meeting with the director Pastrone.
A passionate cavalcade through decades of "coming attractions"
Tarantino reveres them, and for good reason. Welcome to the world of the kings of the Italian B-Movie.
Lorenza Mazzetti's extraordinary life story touches many points in twentieth century history. The adopted daughter of the Einstein family emigrated to London in the 1950s and applied to the Slade School of Fine Art with the reason "Because I'm a genius!" Mazzetti is also one of the most important representatives of the Free Cinema movement.