Four young people get sucked into a time bending vortex to an apocalyptic future where women rule the earth.

Fallon, a gay MI6 agent, attends a party in London to meet his lover — only for the man to suddenly collapse and die in his arms, poisoned. Branded a traitor and exposed as a mole within the agency, Fallon is forced to flee. He escapes to Istanbul, where he hides out, waiting for contact with his partner Alina, unsure of who to trust or what remains of his identity. Told entirely through male whispering ASMR, the film unfolds as a hypnotic, slow-burning spy meditation that replaces action with intimacy, memory, and sound. The first entry in Alexander Roman’s experimental trilogy, I Am A Spy: Istanbul reframes espionage through a queer lens, exploring loss, betrayal, and emotional isolation in a genre that rarely makes room for vulnerability — let alone queer male desire.

After fleeing MI6, gay spy Fallon receives a mysterious WWII-era box from his partner Alina. Tasked with decoding its hidden secrets, Fallon navigates the snowy streets and intimate spaces of Sofia, Bulgaria. Through whispered clues and tactile sounds, he uncovers layers of espionage, personal trauma, and history. This immersive ASMR spy thriller blends quiet tension with queer longing, exploring identity, exile, and trust in a genre rarely touched by vulnerability.

In the third installment of Alexander Roman’s ASMR spy series, Fallon assumes the identity of Mark Camford, a musicologist in Athens. Tasked with uncovering a WWII-era music box containing hidden secrets, he navigates the city's ancient streets and intimate spaces. As he decodes cryptic messages and confronts past betrayals, the line between espionage and personal history blurs. Roman's immersive sound design and whispered narration create an intimate atmosphere, exploring themes of identity, trust, and the echoes of war. The film continues the series' commitment to queer representation within the espionage genre.