A group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.

A renowned exorcist teams up with a rookie priest for his first day of training. As they plunge deeper into hell on earth, the lines between good and evil blur, and their own demons emerge.

Emily is a typical 20-something with one glaring difference - for her, the line between reality and imagination has drastically begun to blur. Constant paranoia and a feeling of being followed has caused her to be institutionalized. Now she finds herself trapped between what is real, and what may be real, as her doctors tell her one thing, and her mind tells her another. With no way of knowing, she will slip in and out of truths until she can get a grasp on the world around her. You never know who is watching you.

In 1885, a female doctor helping a group of people with their phobias becomes embroiled in a murder mystery surrounding a patient that may or may not be a vampire.

An 'urban explorer' is blackmailed into infiltrating a derelict building on the eve of its demolition in the hope he can recover a forgotten treasure.

Accused of the ritualistic murder of his best friend, a vice detective bent on finding the truth is plunged into Hell when he goes undercover and discovers that demons might be real.

HOLD is a tense, spare, and lean drama about a young couple's relationship in the aftermath of a violent home invasion. Boasting no musical score and filmed in claustrophobic closeups, it investigates the frailty of the hero complex by putting a microscope on American paranoia.

RISING FROM THE RAILS: THE STORY OF THE PULLMAN PORTER, a documentary based on the best-selling book by Larry Tye, chronicles the relatively unheralded Pullman Porters, generations of African American men who served as caretakers to wealthy white passengers on luxury trains that traversed the nation during the golden age of rail. Unbeknownst to most of their white passengers, porters played critical political and cultural roles, becoming trailblazers in the struggle for African American dignity and self-sufficiency, patriarchs of black labor unions, and helping give birth to the Civil Rights Movement. Ultimately, however, their greatest legacy is that which they left to future generations.

The second installment of Frank Mosley's Perception Trilogy, inspired by Greek philosopher Plato's quote, "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." It is an examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction.

Bailey, an adorable Golden Retriever puppy, is moving! On the road trip to their new home, his family makes a stop and mistakenly leaves Bailey behind. This mischievous and playful pup sets out to find his family and stumbles across "Sharkarosa," an exotic wildlife ranch. At the ranch, Bailey meets and is befriended by an assortment of animals, including kangaroos, camels, a bearcat, a baby tiger, and "Puck," the sheepdog entrusted with running "Sharkarosa." Will Bailey ever see his family again? Or will he be left to work at the ranch until the "Cows Come Home?"