The horizon, where the sky and the earth meet, is always elsewhere, a promised place where these two elements come together. a metaphor, an orienting, a promise of transition, change, transcendence. a place where the corporeal and spiritual meet, or are cleaved apart. Also, here, the space between narrative and documentary, fact and fiction, is scratched between two voices. Jayne love reads a text i wrote for her, short sentences on the concept of the horizon and the briefest suggestion of narrative collide with pieces of Richard (Oswan) Williams' beautiful, rum-fueled living room sermons to me.

The horizon, where the sky and the earth meet, is always elsewhere, a promised place where these two elements come together. a metaphor, an orienting, a promise of transition, change, transcendence. a place where the corporeal and spiritual meet, or are cleaved apart. Also, here, the space between narrative and documentary, fact and fiction, is scratched between two voices. Jayne love reads a text i wrote for her, short sentences on the concept of the horizon and the briefest suggestion of narrative collide with pieces of Richard (Oswan) Williams' beautiful, rum-fueled living room sermons to me.

A portrait of risk and language, the experimental narrative Daredevils, presents a writer as she interviews a well-known artist and feels the reverberations of their discussion throughout her day. Visually spare, still and verbose the video constructs a metaphor of an artist’s life and work as daredevilry. –S.B.

A film by Stephanie Barber.

A hand-painted, heavily collaged bit of juvenilia thinking about our possessions and what can be lost. What can be retained. Whether our bodies, our self expression and our memories are intractable elements of our 'selves'. Or just what our 'selves' are when/if these things go.

A film by Stephanie Barber.

A sonnet, the fifties family travel, through, say america, or time, a fascination with the exciting future, the image is purposefully jerky and toy-like with the casio keyboard beats a (faux, dated) take on the serial pieces to come later. The entirely is falling apart, or so close to falling, toy machines. There's not so much really put down, but a lot of pointing and elbowing.

A short trip around, like a poem or a nostalgia for what you never had or knew anything about. We pick up speed around the equator. ANGUS MUSTANG is paralleling different travels, the physicality of travel pointed to, most clearly in the soundtrack and the pacing of the film, with the referees of travel's many orphans springing through the implied history.

A film by Stephanie Barber.

WOMAN STABBED TO DEATH is a short film concerned with both the apathy of human receptivity and the perverse nature of free floating paranoia so artfully ingrained in women. it is a tiny horror film, with the soundtrack skipping blithely over the literal graves of millions and the metaphorical grave of one's feelings of safety.