Federico is the coach of the women's hockey team and is about to get married. The father suffers a heart attack and asks him to take care of his 8-year-old sister whom he doesn't know. The pressure he feels is accentuated when he meets Julieta.

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

The story follows the struggles of Arturo, a cab driver who has to find $2000 within 24 hours; his older son, Ramiro, who left home four years ago, has just phoned from Houston asking for urgent help. However, Arturo's wife Irene keeps their savings away from Arturo's reach.

Tells the story of a group of female workers who are locked in a factory because of an invasion of wild elephants.

In the Brazilian countryside, a family straining to care for their bedridden patriarch have their lives changed when a shady nurse offers a diabolical deal: put their elder to rest and host an Argentinian drug kingpin who urgently needs a place to hide.

Unit 9 was the prison where the brutal military dictatorship held thousands of political prisoners, separating their leaders into two Death Rows, only to murder them without trial. Not only would the prisoners be murdered by the army, but their families as well. The struggle for life and dignity was renewed every day, and will, ingenuity, and humor were weapons of resistance.

The work and thought of Mauricio Kartun, in a journey that takes as its temporal axis the staging of his play Salomé de chacra. His work, his obsessions, and his personal method.

Ana, a young orphan moves to the house in the forest where her only friend lives. The ambition of her friend's father to take over the nearby lands will awaken an old pagan cult that will use Ana as their only option to protect the place.