
Directing
Stefano Miraglia (Málaga, 1988) is an Italian-Spanish artist, curator and writer based in Paris. His activities focus on artists’ film and video. His work has been presented internationally in exhibition spaces such as the Taiwan Contemporary Culture Lab (Taipei), Fabrica research center (Treviso), Centrum (Berlin), and in numerous film institutions and festivals such as CINEMATEK - Cinémathèque royale de Belgique, Beijing International Short Film Festival, Prismatic Ground, ICDOCS, Vienna Shorts and Festival des Cinémas Différents et Expérimentaux de Paris - where his film Anoche received an award in 2017. He has curated several exhibitions, the most recent being a solo exhibition of Spanish artist Carlos Casas. Since 2018 he has curated and presented several programs of experimental and artists’ films. Stefano is the founder of Movimcat, an online project for the dissemination of artist’s cinema. Since 2019 he has been working on the rediscovery and reappraisal of the work of writer and filmmaker Ellis Donda (1947-2023). He is a member of the selection committee for the Pesaro Film Festival in Italy, and was a member of the committee for the international competition of the Festival des Cinémas Différents et Expérimentaux de Paris from 2020 to 2022. Stefano Miraglia is a member of the French association of art curators C|E|A. He studied at Roma Tre University and the École Normale Supérieure de Lyon. He is a lecturer at Université Paris 1 Panthéon-Sorbonne.

A text, some images, and an unstable arrangement of durations to which one can devote a fluctuating form of attention.

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

In the vain hope of breaking a smartphone with a film, I present to you a series of truthful images and sounds. City lights set out to communicate something, details of sixties paperback books meet the title of a French science fiction novel, and the bottom of a bridge is the beginning of the cosmos (and I walk on it).

In 1907 Herman Hesse spent a few days mediating and fasting in a cave near Monte Verità. During these days he collected the visions and insights that went on to be very influential in his thinking and shaped some of the most important works of his literary career. The images and sounds of this film were shot there and are a homage to this cave and its possible invocations. Grotta is part of Fieldworks, an ongoing experiment with ambient video and radio frequencies.

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

In the vain hope of breaking a smartphone with a film, I present to you a series of truthful images and sounds. City lights set out to communicate something, details of sixties paperback books meet the title of a French science fiction novel, and the bottom of a bridge is the beginning of the cosmos (and I walk on it).

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.

Confidential report on designer Dino Gavina's showroom created by Carlo Scarpa between 1961 and 1963. Restoration details and stills from a 1985 film by Ellis Donda.

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.

Early/alternate edit of what became the final sequence of the film I'll See You Again.


