Last Visit is a tribute to Lefteris Voyatzis (1945 - 2013), an indisputable milestone in the modern history of Greek theater that defined people, projects, and our theatrical perception. He defined and was defined by the Theater of Odou Kykladon. At this place he left work, memories, and senses that still intensively exist. Through this strange dreamy visit he returns to favourable theatrical place for a proper farewell to his friends and colleagues.

The events of this film, spanning from the very first moments after the Occupation until the first years of the 1980s. In those years, which are crucial for Greek History, the adventurous path of a poor family is illustrated, that’s slowly going to end up filthy rich. The members of the aforesaid family found out the hard way, that money cannot buy happiness.

Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging

' Red string tied, wrapped in the creel, please turn kicks tale n'archinisei 'used to say older before they start their tales. But Knit Red Thread of Costas Charalambous does not narrate a tale but a nightmare that haunts the Greek history for more than 60 year. The nightmare of civil war.

Through thirteen images and an equal number of stories, little Melina-Amalia, the teenager, the woman, the fighter, Blanche, Stella, Ilya, Phaedra, Medea, Clytemnestra, Minister of Culture, the stoic Melina in Memorial Hospital, all aspects of the "last Greek goddess". Shot on the stage of the National Theater Rex - Marika Kotopouli, it captures, balancing between theater and cinema, important historical events that make the myth that surrounds the glamorous protagonist even more powerful and charming.

Hara leaves the maternity hospital with a baby in her arms. She spends her days caring for her newborn baby. Daily images of affection, familiarity, devotion and acquaintance with the baby in the rhythm of a lullaby. However, the repeated emergency news about the abduction of a baby from the maternity hospital comes to violently bring us back to reality.

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