Warsaw Central Station, 1958. A place of greetings and farewells, an intersection of people from different parts of Poland and Europe. A girl waits in vain, she goes away. Soon the station would belong to the past too.

A documentary portrait of elderly women living in a Kraków nursing home, observing daily rituals, illness, and waiting, shaped by recurring symbolic images of time and decline.

Pigeon breeders (men mostly) are a special kind of enthusiasts. Their hobby includes an element of competition – a long-distance race of carrier pigeons.

A documentary depicting the Warsaw district of Powiśle where time has stopped. One of several films made by Kazimierz Karabasz included in the "black series" of Polish documentaries. Featuring a commentary typical for documentaries of the second half of the 1950s, it is distinguished by penetrating observation and lyricism.

The document shows the staging of the Catholic Mystery of the Passion, which takes place every year in Kalwaria Zebrzydowska.

A documentary portrait of the Kurylewicz Quintet at work in the recording studio, Opus Jazz captures the stop-and-start process of rehearsal before the musicians lock into rhythm and achieve full improvisational flow. Majewski’s film highlights both the discipline and spontaneity of modern jazz in 1960s Poland.

A report from a student’s festival in Kraków. The history of this event dates back to the 15th century in Poland. Statues and knights at Wawel remain unmoved until they fall into the rhythm of joyful fun.

A look at the horse races at the famous track in Sluzewiec, Warsaw.

The title pan (‘patelnia’ means pan) is a terrace on Gubałówka, where people can sunbathe even in the middle of winter. ‘Standing in the sunlight, everyone is only what they are’ - convinces the narrator. The sight is breathtaking.