The movie chronicles the long, futuristic voyage of a team of Québécois space explorers looking for a planet capable of sustaining life, in the year 2034, after the destruction of the ozone layer through excessive human pollution, prompting the need for a new planet to welcome humankind. The seven crew members venture outside their own galaxy to explore other star system in search of a new planet large enough to sustain 6 billion people. The few habitable planets encountered are ultimately abandoned either because they are already occupied (emphasizing the wrongdoing of invading other civilizations and cultures), or because upon closer inspection they are found to have other problems (cow-sized mosquitoes, high radiation levels, dog overpopulation, unsuitable living environment, ...).

The crew aboard the Romano Fafard spaceship continues their mission. Captain Patenaude and his acolytes land on planet: Crème hydratante pour le visage soulage la peau sèche (moisturing cream for the face soothes dry skin!) in hopes of finding the ship’s probe, accidentally crashed, that they must have in order to move the Earthlings. Their search is in vain, but it leads them to the tyrannical Governor Supreme who rules the planet. Just when the governor is about to tell them where to find a new probe, there’s a terrible explosion. Will the captain and the Romano Fafard find a liveable planet where they can move six billion Earthlings? And if so, when?

An anachronistic firefighter, a quotidian poet, and an expert soup-maker, Ducarmel also plays in a competitive basketball league. There’s only one problem with his hobbies: finding a babysitter to look after his daughter. Moreover, when he dozes off in the evening, he dreams… a little too forcefully. In his bizarre dream world, a beguiling blue book reigns, love looms, and he is the best basketball player of all time.

An unhappy, silent man journeys through a constantly shifting mediascape in search of something we never discover. Transylvanian moonscapes, Baroque parties and fraternity joyrides constitute just a fragment of his dizzying journey. Is this unnamed character searching for a way in, or a way out of the shifting and overwhelming history which whirls about him?

Réal and François are two old buddies in their early 30s who reunite at last to unearth a time capsule bottle which contains their dreams and ambitions from 15 years earlier. The problem is, their little treasure is buried on a plot of land that now belongs to a grumpy old coot, Antoine. Paying big bucks to get at their bottle, they discover that Antoine's daughter, Lea is trying to become pregnant and seeks the help of a gay friend to do it. Back in boyhood mode, Lea becomes the object of their desire.

Christophe agrees to be filmed by his roommate Stéphane, while he is searching for a meaningful engineering job. Since he voluntarily resigned his job when he was to be moved to quality control, he does not get unemployment benefits, and goes to classes on how to contest the decision.

The solitude of a mime in fall. Classical and pornographic.

Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones' lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones' inner lives — it's an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.

Unfairly dismissed from his duties for trying to catch a white-collar bandit, Jean-Guy Simard leaves the tax office with one fixed idea: to get revenge by making a video on the rules of tax avoidance. From Geneva to Bermuda, his strange investigation takes the form of a Dadaist and irreverent comedy, in which he plays all the roles at once, throughout an exposé where the power of money gradually confronts him with his own demons.

Through an immigrant cab driver, our world collides with a nervous filmmaker, a lawyer whose new breasts her ex-boyfriend wants to see, a mystery man, a gay man who might or might not have AIDS, and a birthday girl who got stood up. It is a mixture of laughter and sadness, all floating on a sea of philosophy.