This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

In a supermarket, in the sofa section, director Fabien Romains comes to choose the sofa that will be the main feature of the set for his next play. Priscilla Gabor, his ex-wife, who stars in the play, insists on deciding for herself which sofa she will rest her buttocks on. Edouard Le Tellier, the play's author and producer, and the actress's current husband, pretends to be interested in the debate. Finally, Olivier Leblanc, the salesman, who has always dreamed of acting, sees these visitors as a chance to promote himself.

A chubby forty-ish florist is dumped for a gorgeous young woman. She decides to lose weight and to ruin her rival's life in order to win her handsome lover back.

Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.

A garage owner arranges for his friend, an apprentice playwright, to meet a famous Parisian actor whose car has broken down in their village.

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

Maman à tort, Plus grandir, Libertine, Pourvu qu'elles soient douces, Tristana, Sans contrefaçon, Ainsi soit-je, Sans logique, A quoi je sers, Allan (live 89), Plus grandir (live 89), Désenchantée, Regrets (a duo with Jean-Louis Murat), Je t'aime mélancolie, and Beyond my control.

Jean-Marie Bigard plays Clérambard, a ruined squire, his family's slavery slave, cat taster, parish priest eater. Converted after an appearance of Saint Francis of Assisi, he becomes as violent in good as he was in evil. A tailor-made role! He no longer touches animals, even if they are insignificant, he finds purity in girls of joy, pleasure in destitution and he will preach this message on the roads, in a caravan, taking his family on its crusade of love .

Story of two women's feud continues during the events of The Seven Years' War Music video for Mylène Farmer's song Pourvu qu'elles soient douces

Nicolas Wolf, an Austrian who's just inherited his grandmother's Parisian flat, is shaken with fear as an unexpected nightly visitor refuses to leave. But no-one but Nicolas seems to be able to see the menacing stranger.